New York, New York
Over four decades, composer Robert Sirota has developed a distinctive voice, clearly discernible in all of his work – whether symphonic, choral, stage, or chamber music.
Robert Sirota's chamber works have been performed by the Washington Square Contemporary Music Society, Sequitur, Chameleon Arts Ensemble, Left Bank Concert Society, Dinosaur Annex, the Chiara, American and Blair String Quartets, Ethel, The Peabody, Concord, and Webster Trios, and the Fischer Duo, and at the Tanglewood, Aspen, Yellow Barn and Cooperstown festivals. Orchestral performances include the Seattle, Vermont, Virginia, East Texas, Lincoln (Neb), Meridian (Miss), New Haven, Greater Bridgeport, Oradea (Romania) and Saint Petersburg (Russia) symphonies, as well as conservatory orchestras of Oberlin, Peabody, Manhattan School of Music, Toronto, and Singapore.
Sirota's liturgical works include three major commissions for the American Guild of Organists: In the Fullness of Time, a concerto for organ and orchestra, Mass for chorus, organ and percussion, and Apparitions for organ and string quartet, as well as works for solo organ, organ and cello, and organ and piano.
Recipient of grants from the Guggenheim Foundation, the United States Information Agency, National Endowment for the Arts, Meet The Composer, and the American Music Center, Sirota is recorded on the Capstone, Albany, New Voice and Gasparo labels. His music is published by Muzzy Ridge Music, Boelke-Bomart (Hal Leonard), Music Associates of New York, MorningStar, Theodore Presser, and To the Fore.
A native New Yorker, Sirota's earliest compositional training began at the Juilliard School; he received his bachelor's degree in piano and composition from the Oberlin Conservatory, where he studied with Joseph Wood and Richard Hoffman. A Thomas J. Watson Fellowship allowed him to study and concertize in Paris, where his principal teacher was Nadia Boulanger. Returning to America, Sirota earned a Ph.D. from Harvard University, studying with Earl Kim and Leon Kirchner.
Before becoming Director of the Peabody Institute of the Johns Hopkins University in 1995, Sirota served as Chairman of the Department of Music and Performing Arts Professions at New York University and Director of Boston University's School of Music. From 2005-2012, he was the President of Manhattan School of Music, where he was also a member of the School's composition faculty. years, served as chairman of the Department of Music and Performing Arts Professions at New York University and director of the Boston University School of Music.